In the spring-time she would see Flora, her sister-nymph, in the fields, giving color and fragrance to the flowers, giving sweetness to the honey in the combs, giving grace to the boys and girls who came about her. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. Then Picus saw Silvanus and thinking that he was Pomona's favoured suitor, began to abuse him. Pomona fled from both of them, and after that she would let none of the male divinities come near where she was. As it was not renewed, it entered the public domain on 1 January 1959. If you have questions about requesting an image, please email imageservices@clevelandart.org. And saying this she kissed Pomona. It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. Use for educational purposes is defined as the non-commercial and non-advertising use of images in presentations, lectures, school or university projects, and academic or research publications of which no more than 1,000 not-for-profit copies are printed. But he came to her at another season: this time he did not come from the hunting; he came from lands that he had cleared and that he had sheep grazing on. It depicts the Roman god of the seasons Vertumnus in the guise of an old woman attempting to woo the lady Pomona. Pomona fled from both of them, and after that she would let none of the male divinities come near where she was. I'll say nothing about Silvanus! You can use it however you want. Stanford University Copyright Renewal Database, University of Pennsylvania copyright records scans, https://en.wikisource.org/w/index.php?title=Vertumnus_and_Pomona&oldid=8873752, Creative Commons Attribution-ShareAlike License. Art & Life. But all day she worked where fruits grew, leading water to flow by the roots, or destroying insects that came upon the leaves of her trees. To Wilcox, Giampietrino's work never achieved the "distinction" seen in Vertumnus and Pomona. It is in the collection of the Gemäldegalerie of the Berlin State Museums. If the images are being used for purposes other than those described above, prior written permission from the Fundación Colección Thyssen-Bornemisza is required. "Inventive Impressions: 18th- and 19th-Century French Prints". If there was no elm-tree for it to grow upon it would straggle along the ground, flat and unflourishing! And besides, he is interested in all that you are interested in--he deals in fruits, too! Pomona would not come near him. obras del Museo Thyssen-Bornemisza y sus derechos de To her the shady grove, the flowery field, 5: [4] This matches early descriptions that the painting maintained the signature until at least the eighteenth century. Pomona fenced her garden so the rude young men couldn't trample her plants and vines. Vertumnus, the young, handsome god of changing seasons and patron of fruits, decided to try to win over Pomona. He is a lad who does not wander idly through the world. He was made to be yours, and you were made to be his, and I am here to tell you that!". She had on a head-dress that fell across her eyes, and she leaned upon a stick. She was no huntress; the only implement that she ever held in her hands was a pruning-hook or a spade. And as she went from tree to tree the old woman kept calling to her. She was shy, they knew; but each thought what a fine sweetheart she would make, if he could get her to walk or talk with him. Listen! She wearied him out and he went away. Museo Thyssen- Bornemisza. Pomona grew up supple and robust; she grew sound and handsome as an apple upon one of her trees. "You are Vertumnus," she said. [4] In addition, the pose of Pomona is closely related to the pose of the Virgin Mary in Leonardo's drawing called the Burlington House Cartoon in the National Gallery. And saying this she kissed Pomona. Even as these words were said the head-dress fell off the head of the one who spoke to Pomona. And then, that she might think of him as one who had an interest in trees and fruit and be kind to him on that account, he came bearing a ladder upon his shoulder as if he were ready to mount to where the apples were growing and gather them. (archivo.fotografico@museothyssen.org). This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed. She bade him go away. ", Pomona was so surprised to have someone talk to her in this strain that she sank down on the grass beside the old woman. He came to her as a shepherd, and he sought to woo her mildly, but she would neither speak to him nor let him come near where she was. "How beautifully your garden is kept!" And then he came as a ploughman, big and burly, holding in his hand a goad which Pomona might think that he had just used to drive the oxen in the furrows. In 1774 Louis-Marin Bonnet developed yet another technical innovation: a printed gold leaf border. In classical mythology, Pomona was a nymph who grew fruit but did not allow men to enter her orchard. Munich ; New York: Prestel. Una vez aprobados, se aplicará una tarifa adicional. su Colección Permanente, así como de las obras de la To Pomona, Flora would give all that she had to give. Vertumnus and Pomona The Hamadryads were Wood-nymphs. Colección Carmen Thyssen-Bornemisza en depósito en el She left him before the gate, and although he shook it with his hands, he could not force it open. Vertumnus and Pomona - A Myth with a Moral Many of the ancient Myth Stories, like the legend of Vertumnus and Pomona, incorporate tales with morals that provided the old story-tellers with short examples of exciting tales for kids and children of how to act … Young Vertumnus saw her through the gate; he saw Pomona and he loved her more ardently than either Silvanus or Picus had loved her--Silvanus who was much older than he looked, and Picus who was always in love with some girl. But you, my dear, refuse to be mated, refuse to be wedded, refuse even to know one who might be a sweetheart for you!

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