But that’s a good thing, because writers are the only ones in Hollywood who create something from nothing. Though it may not sell, if the writing is good enough, they may remember you for future script assignments. Ask for Steve Worth. In the international marketplace, pitching your project at a market or co-production forum is often essential to getting a project launched. Probably people do but I just haven't noticed. It'd still be rare to, you know, get your series made if you don't have contacts/experience, but it has indeed happened. 6- Partnership with anyone? The number of studios in North America who do feature animation (as opposed to television/web) is pretty low and most of those prefer to do in-house or Intellectual Property development. Submit your cartoon for consideration. Don’t use them to cram a story into something static. Being a cartoonist is a lot like being a novelist. So you put your communication out there. That's why studios develop from within because they have invested in the infrastructure and contracts of these resources. Go to industry seminars and make contacts. Neal Litherland is an author, blogger and occasional ghostwriter. They have a huge number of people trying to give them ideas, they are really not short of them no matter how special you think your story is. We begin today with tips on setting up, which will be followed by other sections such as communicating clearly and building trust. I haven't read your script, but there's nothing in your logline or website that couldn't be filmed, so why ask for trouble? Paul, you are correct! His ship gets crashed while landing and every device also gets destroyed. Just to make it very clear as I have received many E-mails so far: I do not buy IPs and I do not sponsor or animations. It's very, very rare. Fact is 90+% of all animated features are comedy forward. If you do decide to go the route of pitching you can check this article: How to Create an Animation Pitch, Animation Pitch Pitfalls, From Pitch to Production and How to Pitch an Animated TV Series. Support Cartoon Brew for as little as $1 a week — the process is fast and easy. Thousands of times a year. If you had read The Long Tail by Chris Andreson or Tribes by Seth Godin and plan to promote your own creations; you know that you could possibly fill in any niche and not have to submit to any business or network pre-subscribed formulas. This is something I am curious about and would like to share my findings and resources. Indeed, it is big busines. 4- The more material you have; the more leverage and rights you can negotiate, you will be very lucky to land a deal with a simple 2 page pitch to say the least and you should expect to give away most of your rights,  on the other hand if you sell a finished cartoon; you can negotiate a much better deal or keep your rights (yes, a finished cartoon defeats the purpose of a pitch but just to show the contrast). Yes Laurie, the question was about another script. A lot of things have been changing very quickly in the film industry, do you think it's easier to sell an animation script now? Thus, from the void between my ears springs this blog on writing for animation and live action. ASIFA-Hollywood is the organization that puts on the prestigious Annie Awards, the industry's major stepping stone to the Academy Awards. 5- A pitch consists of a log line, a two page, a bible and extras. We know that it will cost us 50000 USD per episode of 11 mins, and we intende to make a series of 22 episodes, which comes to 1.1 million USD. Regina, do you mean the debacle of the 'OZ' project or successful indie animation features? All you have to do is communicate and persist. I could be wrong. Magazine Cartooning: How to Find Markets for Your Cartoons. The Burden of Other People’s Thoughts: Don Hertzfeldt Talks ‘World of Tomorrow Episode Two’, A Candid Talk with Scratch Film Master Steven Woloshen, Chris Landreth Talks 'Subconscious Password', The Magical Junk-Filled World of Jiří Barta. You may spend weeks, months or years with no apparent result. Using lists/bullet points often takes the soul/rhythm out of your pitch. I wrote this article to share whatever little I know. For an animated series, this means preparing some material to explain what your show is about, and present it to an executive working for something like Cartoon Network on the hope that he/she likes the idea and would want to go ahead with it. Everything you do may seem like a waste of time—until it isn’t. I highly recommend visiting film markets like MIPCOM or film festivals and mingling with the crowd to learn more. This type of thing doesn't happen often. There are plenty of opportunities to earn money in this field. That's how Jennifer Lee became an animation writer and even Ted Elliot and Terry Rosio came from the live action world and were hired as project writers. I am guessing but I do not believe any company with give out that information to just anyone. The graphic design of your slides should be on point (or at least not horrible). 2) There are tons of indie animated features being made around the world. It's more about who you know. I just signed three screenplay options. and there are lots of people trying to give out ideas. Making money. Cartoons are great and all but I'm really interested in the anime industry, the writers take the full translation from Japanese and need to change it so it sounds good in English for English Dub. The audience can not properly listen and read simultaneously. You may lose at this one. Finding contacts, reaching out to them, understanding the market, going to exhibits and film festivals, and having the social skills needed to "hustle" and persevere, coming up with many ideas, developing the characters through and presenting them as best as possible and most importantly accepting many rejections is a lot of work. I meant the debacle doesn't happen very often, and relatively speaking, indie animated features pop up less frequently in comparison to animated features financed by major financing entities. Below is a poster of what I'm currently working on - making a movie called 'Killer Eyes'. Anything industry related may get you new contacts. And you will see more and more of these films over the next few years. Seems a shame. I’ll address Hulu in another article, but for now, let’s focus on Netflix. Before learning about pitching and selling an animated series, I was really in the dark about all these subjects and thought it would be hard to dig for this sort of information. Having a completed series on the other hand is a different matter, if you go to MIPCOM for example you will find potential buyers. Short films and other promotional material can be good for marketing though. There are probably tens of thousands of good scripts slowly being eaten by dust mites all over the world. So for now, make sure the script is the best it can be and look out for pitches on here that are looking for animation (they pop up frequently). Don't go overboard unless you are sure of your product and know what you are doing. Dont know how much, but you can contact the Companies and ask them? Following those steps generally gives you a much better chance of getting your comic serious attention. The other thing to look out for is in the very near future there will be a platform that will connect animation talent globally so that work can be done in the cloud at a fraction of the studio cost and there will no doubt be a place for writers within that reality. Executives can be found! And where? Hi Lauran, From what I've read and partially experienced myself, SELLING an animated feature script is very, very rare. Writing seminars, directing seminars, distribution seminars, WGA events, DGA events, PGA events, ComicCon, etc. For example if you want to sell light sabers with Obi Wan Kenobi and a Star Wars logo on the cover, you need to ask Lucasfilm for a license first and hope it's not already taken exclusively by someone else. In other words, most are unapproachable. We plan to create 26 episodes. If you do decide to go the route of pitching you can check this article: How to Create an Animation Pitch , Animation Pitch Pitfalls, From Pitch to Production and How to Pitch an Animated TV Series. Use lists/bullet points only to sum up things where appropriate, such as a few episode loglines, a budget, or a character’s personality traits – in other words, things that naturally lend themselves to being lists. And I, for one, have a vast amount of nothing to share with you. Unfortunately, we have no idea of how much it will cost to produce it. The trick isn’t writing a script. But you need more than a good script. all financed by big players like Pathe, Canal, Miramax, etc.? Indie animation - a cautionary tale. It's only animated because I'm not going to build -- and wreck -- a 16th century sailing ship just to set up a treasure-hunt story. Personally, I wouldn't prefer to pitch, maybe I would go to an exhibition and see what the atmosphere there is like and make some connections, but I wouldn't count on striking a deal. Sell their videos on a subscription or one-time-purchase basis Create and launch OTT video streaming apps for mobile devices and TV From entertainers to educators, Uscreen has worked with thousands of content creators from vastly different industries in helping them sell …

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