1. Corelli’s influence is more clearly heard in the beautiful sonatas of 1724-26, with their extended cantabile slow movements. Riccardo Minasi's lively playing is never clumsy and seldom forced. Corelli participated in the first performances of some of Handel’s works; he was concertmaster for the famous 1708 production of Handel’s oratorio La Resurrezione. This demanding and lengthy work in three movements was dedicated to French violinist Rodolphe Kreutzer, although he never even played it and moreover considered it unplayable. 108. Try them out with different violinists; you will be surprised and delighted at the diverse interpretations. 1 No. A 1959 recoding of Isaac Stern and Alexander Zakin can be found here: This work is the second sonata on this list that was dedicated to the great David Oistrakh (the first being – very likely but mot official – the Prokofiev No. Work Title 17 Sonatas, GB-Mp MS. 130Hd4v.312 Alt ernative. Though critics were not impressed with the piece at the premiere, this sonata has become a staple of the violin repertoire. It has two sets of unison-pitched strings and one set tuned an octave higher. 1/10 (doubtful), Violin Sonata in E major ("Roger"), Op. Ms. Barton Pine plays a 1617 Amati violin, in “modern” condition with steel strings. This is a relatively underappreciated part of the violin repertory since violin sonatas are considered chamber music and thus are often less showy than violin concertos. The performers on this recording have attempted to create historically informed performances using a combination of 18th-century and modern practices and equipment. The eight sonatas recorded here span more than four decades and bear witness to Handel’s broad stylistic range. Andreas Amati invented the violin c. 1550. In an effort to conceal his involvement in this pirated edition, Walsh’s first printing of the collection carried a fraudulent title page indicating that it was published by the Amsterdam printer Etienne Roger in 1724. The violin sonatas span Handel’s long career, from the early, Corelli-inspired G Major Sonata, HWV358 (c. 1706-8) to the exciting Sonata in D major (c. 1750). Minasi takes the view that, whether the eight pieces here are by Handel or not, they are worth playing and hearing. 2. 13; Handel: Sonata in D Minor for violin and continuo, HWV359a, Op. This four-movement piece, though still rather early, influenced the later Impressionist works of Debussy and Ravel in its evocation (and to an extent, creation) of a distinctly French style of composition. Another, the Sonata in E major (HWV373) is excluded, “not because of its questionable authorship but because of its inferior quality,” he adds. Bach: The Sonatas for Violin & Harpsichord. Regardless of authorship, they are very beautiful, well worth playing and hearing. Here is my favourite live recording of the second movement by David Oistrakh and Vsevold Petrushansky: Consordini is a participant in the Amazon.com Services LLC Associates Program. 1 No. 47. Its style suggests it was composed previously, however, possibly early in Handel’s Italian sojourn (1706-09). Filter List (click on item to filter) 1. The final movement starts slow, but ends with virtuosic fireworks. 4 With "Handel" violin sonatas, authorship is an issue, and may be of interest to some, since a few of what might be called the "non-Handel" sonatas, originally published in his name, remain in the repertoire, and are naturals for filler on discs such as this, despite their unknown origins. On the CD, the works are sequenced for a pleasing progression of key relationships and mood changes. Ludwig van Beethoven: Violin Sonata No. Barton lets the music’s raw, improvised feeling hang out a little, giving the recording a refreshing zest.”, “The exuberance of Barton’s ornamentation, the naturalness of her lyricism in these consummately melodic Sonatas, and her technical command in general (and of nuanced and fleet bowings and clean intonation in particular) are complemented by the skill and energy of the continuo support, which never diverts attention from the soloist’s starring role… Recommended. His work in the palaces of Prince Ruspoli, Cardinal Pamphili, and Cardinal Ottoboni brought him into collaboration with Arcangelo Corelli, the most influential violinist of the time. 14, Handel: Sonata in F major for violin and continuo, HWV370, Op. It is based on the Dumont-Taskin harpsichord which is kept in the museum of the Conservatoire National de Paris. Shostakovich’s three-movement sonata is quite long and substantive at over half an hour playing time. This is a recording of Pinchas Zukerman and Marc Neikrug: The final violin sonata included on this list is also by a treasured French Impressionist, Maurice Ravel. Handel: Sonata in A major for violin and continuo, HWV372, Op. Although the solo parts could be played by the violin, the flute or the oboe, six of the 15 have established themselves as violin sonatas. If you enjoy this sonata and the others by the French composers on this list, try out the Lekeu and Poulenc violin sonatas as well. Handel’s solo sonatas for violin, oboe, flute and recorder are less celebrated works of a major master composer. The collection also includes a number of sonatas which are almost certainly not by Handel. Superb continuo players David Schrader and John Mark Rozendaal contribute to the real sense of ensemble teamwork.”, “Violinist Rachel Barton triumphs in her first release for the Cedille label… Indeed, Rachel Barton’s wonderfully vital Handel performances bring us some of the most refreshing, life-enhancing Baroque playing heard in years.”, “A spritely partnership between violin and cello, with deft rhythmic accompaniment on harpsichord… The music’s virtuosic character is rendered with superb, resonant double and triple stopping and de-emphasized dance motion in the allegros. Riccardo Minasi is a conductor and a musicologist as well as a leading violinist in the early music field. Holiday Sale | Save 20% on all CD orders using code HOLIDAY20 at checkout, John Mark Rozendaal, David Schrader. It is composed in a late Romantic and early Impressionist style. These sonatas all conform to the sonata da chiesa (church sonata) layout typified in the second part of Corelli’s Opus V. Each sonata consists of four movements arranged in a slow-fast-slow-fast order, with the fast movements most often in canzona style (fugue-like, with imitative entries), only occasionally in the form of a dance movement. 2 in A Major (1886). 1 No. The second is an Improvisation, where the violin is written in such a way so as to give the impression of being improvised right on the spot by the performer. 1 No. This is a very popular violin sonata, even though it is not highly innovative as it is an early work by Strauss, who was only in his early twenties at the time of its composition. As a bonus extra, the ‘hidden track’ “Credete al mio dolore” (from the opera “Alcina”, arranged for violin by Riccardo Minasi) has been included.

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