These can be described as steps on the guitar fingerboard according to the following formula: half, whole, whole, half, whole, whole, whole from the first note to the same in the next octave. The Locrian Mode is one of the seven modes. This can be seen by looking at the Mode table showing all mode names with only white / natural notes used. Non computer generated. If the natural white note can be found in the mode note, the mode note is written in the Match? The adjustment explanation below needs to be applied to every mismatch m in the above table. This step tries to assign note names to the piano keys identified in the previous step, so that they can be written on a note staff in the Solution section. The 8th note - the octave note, will have the same name as the first note, the tonic note. , but obviously the note names will be different for each mode / key combination. The Lesson steps then explain how to identify the mode note interval positions, choose note names and scale degree names. In a later step, if sharp or flat notes are used, the exact accidental names will be chosen. The chord built from the tonic is diminished, such as Bdim that includes the notes B, D and F. It is therefore a good choice to use this scale over half-diminished chords. Scales you can use in the real world, created by a human guitarist. Obviously, this is the enharmonic equivalent of C major, so the notes are exactly the same; it’s the way you use the scale that changes things. The Solution below shows the B-flat locrian mode notes on the piano, treble clef and bass clef. On the white piano keys, it is the scale that starts with B. This step shows the ascending B-flat locrian mode on the piano, treble clef and bass clef. The B Locrian scale consists of seven notes. For this mode, there are 2 mismatches (Shown as m in the Match? This step shows how to make the note name adjustments so that each note letter A to G is used once only in the mode. Every white or black key could have a flat(b) or sharp(#) accidental name, depending on how that note is used. column), whose note names will need to be adjusted in the next step. The 1st note of the B-flat locrian mode is, The 2nd note of the B-flat locrian mode is, The 3rd note of the B-flat locrian mode is, The 4th note of the B-flat locrian mode is, The 5th note of the B-flat locrian mode is, The 6th note of the B-flat locrian mode is, The 7th note of the B-flat locrian mode is, The 8th note of the B-flat locrian mode is. Of course, even though the note is named Cb, when it comes to playing the note on an instrument, the real note B is really played. Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram. The locrian mode uses the  H-W-W-H-W-W-W  note counting rule to identify the note positions of 7 natural white notes starting from note B. Since this mode begins with note Bb, it is certain that notes 1 and 13 will be used in this mode. It also shows the scale degree chart for all 8 notes. Note 1 is the tonic note - the starting note - Bb, and note 13 is the same note name but one octave higher. To count up a Half-tone (semitone), count up from the last note up by one physical piano key, either white or black. The first mismatch is used as an example. The tonic note (shown as *) is the starting point and is always the 1st note in the mode. So assuming octave note 8 has been played in the step above, the notes now descend back to the tonic. But music theory rules allow the name of any note to be sharpened or flattened, even white note names, so since a C-type of note name is needed, the real mode note B will be renamed to Cb. In contrast, for example, the lydian mode has only one semitone / half-tone separating the 7th and 8th notes, and in this case the Seventh note is called the leading note or leading tone, as the 7th note feels like it wants to resolve and finish at the octave note, when all mode notes are played in sequence. The match fails when trying to find a C -type of mode note, because either this type of note does not exist in this mode, or it exists but is in the wrong position number / table row for this match. This means that a B Locrian scale is B, C D, E, F, G, A. This step shows the descending B-flat locrian mode on the piano, treble clef and bass clef. 1st note is always tonic, 2nd is supertonic etc.) The B Locrian is a mode of the C Major Scale. B Locrian Mode. This step shows an octave of notes in the B-flat locrian mode to identify the start and end notes of the mode. Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram. These note names are shown below on the treble clef followed by the bass clef. Scale degree names 1,2,3,4,5,6, and 8 below are always the same for all modes (ie. One important thing to remember about the Locrian mode is how rare it is. This step shows the white and black note names on a piano keyboard so that the note names are familiar for later steps, and to show that the note names start repeating themselves after 12 notes. It contains exactly the same notes, but starts on another note. This step shows the notes when descending the B-flat locrian mode, going from the highest note sound back to the starting note. a treble or bass clef), there is no possibility of having 2 G-type notes, for example, with one of the notes needing an accidental next to it on the staff (a sharp, flat or natural symbol). The numbered notes are those that might be used when building this mode. Here is a picture of the B Locrian scale. The B-flat locrian mode has 7 flats.

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